Warm applause for another imaginative drama retelling events from the rich tapestry of High Barnet’s historic past  

Claire Fisher’s first play – Mary Livingstone, I Presume? – tickles the audience with a joyous array of gossip and small talk between the Hadley Green gentry of yesteryear, their servants and the townspeople of Barnet.

The Bull Theatre was packed with highly appreciative audiences for the latest production by the Blue Door Theatre Company.

An ingenious script imagines the ghost like presence of Mary Livingstone inside Livingstone Cottage, the house on Hadley Green which in 1857 was the home of the Victorian explorer and missionary Dr David Livingstone, his wife and children.

A plaque dedicated to the centenary of Dr Livingstone’s birth was erected on the front wall of the cottage.

Claire’s story line imagines a sequence of events that led up to the official unveiling ceremony in 1913.

The re-appearance of Mary (played by Sarah Munford, see above) in a magnificent and voluminous crinoline style dress triggers challenging conversations which become the all-absorbing pre-occupation of Isabelle Harrington (Brigid Hekster) who moved into Livingstone Cottage after she returned to the country following the death in South Africa of her mine investor husband.

What actually happened in the everyday reality of today was that Claire Fisher and her family moved into the cottage 11 years ago.

Finding herself living in a house inhabited by such an illustrious famous predecessor developed Claire’s interest in researching how the famous explorer and his family came to live at Hadley Green in the 1850s.

The inspiration for the play – the first she has written and directed – grew out of Claire’s realisation that the role of Dr Livingstone’s wife Mary had been largely ignored.

In fact, it was Mary’s knowledge of local African languages and her standing among local people that was crucial to the success of Dr Livingstone’s travels, yet little was known about her contribution in propelling her husband into the pantheon of historical figures.

Claire started to wonder whether there were any women residing in Barnet in 1913 who had dared to suggest that Dr Livingstone’s wife deserved at least a mention – as there is no reference to her on the commemorative plaque – and her play tries through the drama that unfolds to put the record straight.

Isabelle Harrington, the central character, is the grieving widow who has returned to Hadley Green and who moves into Livingstone Cottage.

While navigating her grief she is determined to find out more about the Livingstone family.

She is also determined to continue working on work on her “causes” – votes for women, and campaigns like the attempt to ban the wearing of ostrich feathers on women’s hats.

Isabelle finds comfort in conjuring up Mary and the repercussions of their imagined conversations interact with the lives of the other women in the play, ranging from Caroline Penman (Val Golding) the formidable mother of her brother-in-law, to their long-standing servant Kitty (Jan Parker) who as a 20-year-old was a servant in the Livingstone household.

Kitty recalls working in the house while Dr Livingstone wrote about his missionary travels. She remembered how the couple’s children used to play on Hadley Common.  

Claire says her aim in the play was to portray the lives of women who had to manage their lives and hopes through the whims of men who treated them as second-class citizens.

In thanking the cast at the curtain call, Claire (above right) paid tribute to the dedication to the members of Barnet’s successful community theatre group and especially for the encouragement and support she had been given by Siobhan Dunne (left), the artistic director of the Blue Door Theatre Company.

Mary Livingstone, I Presume? is the latest in a series of locally inspired productions including The Boy I Love set in the 1880s in High Barnet around the arrival of the annual Barnet Fair and Fog of War by local playwright James Godwin set in 1471 in the heart of the Battle of Barnet.